| Time |
Session |
|
|
| 9:00 a.m. - 10:30 a.m. |
Session 33 |
Re-reading Tradition, Moderator: San San Kwan |
|
| |
|
- Lewoz a fanm, women’s lewoz: Notions of gender and sexuality in a Guadeloupean traditional dance form
|
Cyrille |
| |
|
- Innovations in Global Bharatanatyam and Contemporary Indian Dance
|
Katrak |
| |
|
- 3” Golden Lotus: The Tradition of Bound Feet as Depicted in Contemporary Choreography
|
Knox |
| |
Session 34 |
Queer Femininities, Moderator: Susan Leigh Foster |
|
| |
|
- Neglected Imaginations: Unwieldy and Strange Femininities
|
Garcia, et al. |
| |
Session 35 |
Balletic Point(e)s, Moderator: Tessa Chandler |
|
| |
|
- The Women Behind the Woman: New York City Ballet Corps Members Perspective on Gender
|
Croft |
| |
|
- Between Resistance and Restraint: The Corporeal Practice of Ballet
|
Zahra |
| |
|
- Utube, Beyonceworld, and second Life: do girls still go to Ballet?..
|
Taylor |
| |
Session 36 |
Science Gender Body, Moderator: Wendi Wagner |
|
| |
|
- A physical experience while watching dance
|
Wildschut |
| |
|
- Signifying Women – The Politics of Gesture in Modern Dance
|
Roffe |
| 10:45 a.m. - 12:15 p.m. |
Session 37 |
Translocations, Moderator: Ashley Anderson |
|
| |
|
- Choreographing the Political Uncanny Body of Transnational Dislocation: Elia Arce’s Fifth Commandment
|
Wolf |
| |
|
- Looking Backward and Forward at Authenticity: the “authentic” Hula and Chinese Dance in Hawai’i
|
Letoto |
| |
|
- Going Native: the Question of Ethics and American Cultural Appropriation of Butoh Dance
|
Calamoneri |
| |
Session 38 |
Panel, Moderator: Allison Bory |
|
| |
|
- Localized Feminisms/Globalized Spaces
|
Bory, et. Al. |
| |
Session 39 |
Interpreting Femininities: Moderator: Makeda Thomas |
|
| |
|
- Reclaiming the Feminine: Bellydancing as a Feminist Project
|
Moe |
| |
|
- Vai Sambar! American Meaning Making in Afro-Brazilian Dance
|
Damon |
| |
|
- Mata Hari: Fictions of Femininity and Exoticism
|
Kolb |
| |
Session 40 |
Historical Inscriptions, Moderator: Gina Kohler |
|
| |
|
- Gendering in the Ascription of Symbolic Meaning to Dance in Germany?
|
Mathis-Masury |
| |
|
- Hortense Lieberthal Zera’s Solo Never Sign a Letter Mrs. (1939),
an Early Exploration into the Restrictions of Social Etiquette Rules
|
McPherson |
| |
|
- “Victory Garden: Ruth Page’s Danced Poems in the Time of World War II”
|
Meglin |
| 12:15 p.m. |
|
Farewell Drumming Circle |
|
